Neïla Czermak Ichti

 

 

 

 

 

 

 

Neïla Czermak Ichti
sans titre, 2022
metal engraving
15 x 9 cm

 

Neïla Czermak Ichti
sans titre, 2022
acrylic, ink and collage on cardboard
32 x 20 cm


Neïla Czermak Ichti
The Sound of Perseverance (sweat and ocd/ Toc et transpiration), 2022
acrylic and pen on paper
100 x 69,5 cm

 

to The Fire Next Time | centre d’art de la Villa Arson, Nice, 2023 | curated by Mawena Yehouessi & Rosanna Puyol / photo Jean-Christophe Lett

to The Fire Next Time | centre d’art de la Villa Arson, Nice, 2023 | curated by Mawena Yehouessi & Rosanna Puyol / photo Jean-Christophe Lett

Neïla Czermak IchtiChorba glacée, 2019ballpoint pen on paper

70,5 x 79,7 cm / 80 x 89 cm with frame

Neïla Czermak Ichti

Trop fatiguée pour se tresser, 2020
acrylique sur papier cartonnée / acrylic paint on paper cardboard
35,5 x 27 cm / 45,7 x 36,6 cm (encadré / framed)

Neïla Czermak Ichti

Les anges de Porte Dorée, 2021
acrylic on cotton sheet
170 x 170  cm

Neïla Czermak Ichti Aziz at the fun fair, angel passing by, 2020 screen print on cotton sheet

110 x 110 cm

Neïla Czermak Ichti

Girl with the eagle eye, 2020
acrylic on canvas

60 x 60  cm

Neïla Czermak Ichti

De quoi être fier, 2019
acrylic on wood 20 x 20 cm

Neïla Czermak Ichti

Allo, ouais il se passe des trucs chelous, rappelle moi, 2019
gouache on paper
68,5 x 59,2 cm

Neïla Czermak Ichti

Ça va, 2019
ink on paper
64,5 x 50  cm

Neïla Czermak Ichti

De mes yeux coulent du miel, 2019 acrylic on cardboard (cereal box)

33,5 x 25 cm

Neïla Czermak Ichti Sans titre (salon d’Aziza), 2018 ballpoint pen on paper 39,7 x 57 cm

Born in Bondy in 1996, Neïla Czermak Ichti lives and works in Marseille.

Her work moves between fiction and personal narrative. Her depictions of seemingly banal, everyday scenes take on hidden, magical and invisible dimensions.
In her drawings and paintings, she depicts the people in her life, be they family, friends, creatures from ancestral beliefs, or horrific and fantastic films. In her work, the monsters and hybrid beings that populate her universe act as protective figures, symbols of transitions and the unspoken. Neïla deals with inner journeys, solitude, stories and traumas handed down from generation to generation.

She graduated from the École des Beaux-Arts de Marseille in 2021. Her work has recently been shown at the Villa Arson in Nice, MO.CO in Montpellier, CAC Brétigny, as well as in the exhibition "Désolé" at the Edouard Manet gallery in Gennevilliers, curated by Mohamed Bourouissa.
At the invitation of Anna Labouze and Keimis Henni, Neïla Czermak Ichti has just taken part in the "Après l'éclipse" exhibition at the Magasins Généraux in Pantin, and is exhibiting at the Musée des Beaux-Arts in Nîmes for the new Triennale opening.
She is currently in residence at Triangle, Marseille.

Solo exhibitions

Group exhibitions

2020
Hamdoulah, ça va, lieu d’exposition « DADA », dans le cadre de la foire d’art contemporain Africain « 1-54 », Marrakech, curated by Mohamed Bourouissa & Sonia Perrin
2019
Désolé, commissaire : Mohamed Bourouissa, galerie Edouard Manet, Gennevilliers
First sight, galerie Sissi Club, Marseille Identifi.é.e.s ?, espace culturel Main Libres, Saint-Ouen
2018
Outrage collectif, Théâtre de l’usine dans le cadre du festival antiraciste « Paraponera » Genève, Suisse Les temps Sauvages II, espace culturel  Brasserie Atlas organisé par LEAVING LIVING DAKOTA et NMT, Bruxelles, Belgique
Femmes cachées, galerie Ausgang Plaza, Montréal, Canada
Beurettocratie, espace culturel Les Woraces, organisé par le collectif féministe et antiraciste «Collectif Des Raciné.e.s », Lyon
2017
Exposition collective organisée par le GDS (GoodDirtySound), Asnières-sur-seine.

Bibliography

2021
Monograph “Repos à nos magiques”, text by Neïla Czermak Ichti
Editions P

Grants and residencies

2024
Residence Triangle-Astérides, Marseille, France

ART BASEL*19 April 2023 by Ingrid Luquet-Gad

Beaux-Arts magazine* March 2023 by Barbara Soyer

Art Press* November 2022 by Marc Donnadieu

LES INROCKUPTIBLES* 29 August 2022 by Ingrid Luquet-Gad

Beaux-Arts magazine* May 2022 by Judicaël Lavrador

Art Press 493* November 2021 by Marc Donnadieu

LES INROCKUPTIBLES* 15 September 2021 by Ingrid Luquet-Gad